Special thanks to Harvey Bewley and the ITU team for creating the Zine library structure, and to Martin Padalak, Tommaso Armstrong, and Daniel Buzzo for their contributions to its documentation<\/p>\n\n\n\n Lee Jones, Ahmed Awad, Marion Koelle, and Sara Nabil<\/p>\n\n\n\n Jingyi Li, Eric Rawn, Jacob Ritchie, Jasper Tran O’Leary, Sean Follmer<\/p>\n\n\n\n Fiona Bell<\/p>\n\n\n\n Claire Florence Weizenegger<\/p>\n\n\n\n Allie Teixeira Riggs<\/p>\n\n\n\n Catherine Wieczorek<\/p>\n\n\n\n Nadia Campo Woytuk & Anupriya Tuli<\/p>\n\n\n\n Richmond Wong<\/p>\n\n\n\n Li Jonnson<\/p>\n\n\n\n Lee Jones, Ahmed Awad, Marion Koelle, and Sara Nabil<\/p>\n\n\n\n Mafalda Gamboa, Sjoerd Hendriks<\/p>\n\n\n\n Oliver Bates, Aksel Bi\u00f8rn-Hansen<\/p>\n\n\n\n Sara Heitlinger and Alex Taylor<\/p>\n\n\n\n Elvia Vasconcelos<\/p>\n\n\n\n Andreu Belsunces Gon\u00e7alves<\/p>\n\n\n\n Allie Teixeira Riggs, Anh-ton Tran, Ann Light, Annabel Rothschild, Brian Kinnee, Caitie Lustig, Carl DiSalvo, Ekat Osipova, Fe Simeoni, Grace L Turtle, Imke Grabe, Irene Kaklopoulou, Jordan Taylor, Kay Kender, Liza Shkirando, Louie S\u00f8s Meyer, Molly O’Reilly-Kime, Oliver Haimson, Sonja Rattay, Tommaso Armstrong<\/p>\n\n\n\n Heidi Biggs<\/p>\n\n\n\n Elvia Vasconcelos<\/p>\n\n\n\n Aforditi Psarra, Audrey Dejardins<\/p>\n\n\n\n Nadia Campo Woytuk<\/p>\n\n\n\n Sylvia Janicki<\/p>\n\n\n\n Maya Kaneko<\/p>\n\n\n\n Ashley Boone<\/p>\n\n\n\n Pei-Ying Lin<\/p>\n\n\n\n Ekat Osipova, Kay Kender<\/p>\n\n\n\n Heidi Biggs<\/p>\n\n\n\n Based on research by Ricarose Roque, Celeste Moreno, Ronni Hayden, and Stephanie Hladik<\/p>\n\n\n\n Fixing the Future Collective<\/p>\n\n\n\n Alyshia Bustos<\/p>\n\n\n\n Gabrielle Benabdallah, Garnet Hertz, Daniela Rosner, Lucy Suchman<\/p>\n\n\n\n *All items copyright of their respective authors except where otherwise stated. 2024<\/p>\n","protected":false},"excerpt":{"rendered":" An archive of the zines shown and shared at DIS2024 in Copenhagen. DIS 2024 Zine Library was an informal exhibition of \u201czines,\u201d or self-published, often handmade magazines that served as a creative outlet for artists and designers to showcase their work, express ideas, and connect with others on a wide range of topics, often featuring […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-421","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/pages\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":19,"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/pages\/421\/revisions"}],"predecessor-version":[{"id":539,"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/pages\/421\/revisions\/539"}],"wp:attachment":[{"href":"https:\/\/dis.acm.org\/2024\/wp-json\/wp\/v2\/media?parent=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/dis.acm.org\/2024\/wp-content\/uploads\/2024\/11\/zinelib2_sml-1-scaled.jpg\")
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nThe DIS2024 Zines<\/h2>\n\n\n\n
\n\n\n\nA Brief Guide to Hand Spinning Conductive Yarn:<\/h3>\n\n\n\n
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\n\n\n\nBeyond the Artifact: Power as a Lens for Creativity Support Tools:<\/h3>\n\n\n\n
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\n\n\n\nBiomaterials:<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nCurating Life. Everyday Traces:<\/h3>\n\n\n\n
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\n\n\n\nDesigning with Ephemera: Queering Tangible Interaction in Archival Experiences:<\/h3>\n\n\n\n
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\n\n\n\nEchoes from the Deep: Legends of the Great Lakes:<\/h3>\n\n\n\n
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\n\n\n\nEnviromenstrual Speculations:<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nFuture Self:<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nGrief & Hoping in Transition: An Orienting Guide:<\/h3>\n\n\n\n
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\n\n\n\nHand-spun Conductive Yarn:<\/h3>\n\n\n\n
\n\n\n\nIn Praise of Shadows: Jun’ichir\u014d Tanizaki:<\/h3>\n\n\n\n
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\n\n\n\nLiminal Excavations:<\/h3>\n\n\n\n
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\n\n\n\nmore-than-human data interactions in the city: Project Reflections:<\/h3>\n\n\n\n
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\n\n\n\nMultispecies Entanglements at the Table:<\/h3>\n\n\n\n
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\n\n\n\npost growth control wars:<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nQueering AI Workshop:<\/h3>\n\n\n\n
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\n\n\n\nreadings for entangling: science ontology art epistemology nature ethics infrastructure data:<\/h3>\n\n\n\n
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Research Methods Can Be Bricks What Kind of House to Build? (Books 1, 2, and 3)<\/h3>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nSoft Data & Common Wares #1<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nSpeculating on Feminist Reproductive Health Technologies<\/h2>\n\n\n\n
<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nSpore Stories: Autobiographical design experiements & speculations with mold data<\/h3>\n\n\n\n
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\n\n\n\nTell Me About It!<\/h3>\n\n\n\n
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\n\n\n\nThis Building is Shit for Birds<\/h3>\n\n\n\n
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\n\n\n\nVirophilia<\/h3>\n\n\n\n
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\n\n\n\nWe Want You to Stop Using AI<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nWetlands<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nWhat Equity Means To Me
Illustrated by Celeste Moreno<\/h3>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nWhat might a more Sustainable Internet of Things look like?<\/h2>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nWorking with Copper Tape? It’s going to be okay!<\/h3>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\n
\n\n\n\nThe Limits of Computability<\/h3>\n\n\n\n
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